Field Note 003: The Ghost Pop Heist
It started with a moment of adulting at the local Checkers.
I was ambling down the aisle, basket in hand, when a bag of Ghost Pops caught my eye. I hadn’t had them in years. I stood in the checkout queue like an NPC, staring at nothing, until the intercom voice ordered me to have my loyalty card ready.
As the bright green and purple bag hit the conveyor belt, a thought occurred to me. Halloween was close. It was time to put these things under the lights.
The Anatomy of a Failure
Back at the studio, I got to work. I only had one bag, so there was zero margin for error. I couldn’t iron it or flatten it; it had to be an “open” bag in the final shot. I lit the base bag, wrinkles and all, and then carefully photographed the internal foil to composite later.
Then things got complicated. I wanted the chips to look like they were flying out of the bag by some dark magic.
The plan was simple: set the camera on a 10-second timer, sprint around the lights, and drop a handful of chips just as the flashes fired.
It was a disaster. After an hour, the studio was a mess. There were Ghost Pop crumbs on the camera, the lens, and my clothes. My dog, Mr. Brown, was treat-mining the floor while I dodged light stands in the dark. It was a comedy of errors. I eventually gave up, laid the things flat, and shot them in a simple triangle.
The Parental Toll
By the time I looked at the clock, it was close to midnight. Creativity has a habit of deleting time and space. My daughter had managed to forage a tin of tuna and a slice of bread for dinner while I was wrestling with floating maize snacks. Total parent fail.
The Assembly
The next morning, after the school run and an apologetic breakfast, I reviewed the damage. The “floating” shots were useless, but the flat-lay had potential.
Sitting in Sandton traffic, the solution hit me: don’t reinvent the wheel. I sourced a high-quality atmospheric base background to act as the stage. Back in the digital darkroom, I began the assembly. I stitched the bag, added the foil insert, placed the chips, and applied the motion blur and colour retouching.
The result? Two days of work, 3 backdrops, 4 vacuum bags, one very happy dog, and one clinical Halloween image.
Sometimes the “witness” has to fight the subject until it yields. This was one of those times.
